Fat Chance
1994 | 72 mins | 16mm
It’s 1990-1993 and we follow Rick Zakowich as he faces lifelong struggles with his weight and body image. Child therapist by day and blues singer by night, Rick's charisma and talent are undeniable, yet he remains fixed within the definition of a narrow label. We see how he deals with appearance-based oppression, fat-shaming and how we treat those folks whose bodies don’t match the narrow, unrealistic fashion ideal of beauty. Instead of losing weight, Rick gains insight, new transformative friendships and a profound sense of self-worth.
Director: Jeff McKay
Starring: Rick Zakowich
Genre: Documentary
Subtitles: English [CC]
Audio languages: English
NOTES
Some thoughts from old me - the filmmaker…
My goodness! A film about being fat!
Hmmm. Well hold on – the year is 1990. Now don’t hurt yourself.
Sometimes it’s easier to just forget. But that isn’t what this page is about.
So I’m trying to remember.
I had been editing John Paskievich’s film, ‘Sedna – the making of a myth’. I had yet to make a documentary of my own at this point. I had made several short experimental films and I was really more interested in exploring animation. But I did want to make a documentary film about the music business. I had pitched the idea to the National Film Board of Canada office in Winnipeg.
They weren’t interested.
I pitched it again.
They still weren’t interested.
Then I received a call from their producer who asked me if I would be interested in making a film about a guy who was 300 pounds who was planning to lose half of his weight. I said no - I wasn’t interested.
What about my music business film?
They weren’t interested.
Weeks went by.
The producer called me again. And again he put it to me, “Do you want to meet this guy?”
He was really wanting this to happen - so I said I would.
I had coffee with this guy Rick. He was a nice guy. Very easy to like and I did like him. He was fun. Fun to be with, fun to talk to. He had such an easy way about him. But he was sick of being the person he was. He wanted to physically change himself. He didn’t want to be the fat guy. He wanted to be the thin guy.
So we talked about me making a film about him… how would it work? How do we start?
I told the NFB producer that I would do it. So we began as a half hour film.
The first shoot was at the Red River Exhibition in Winnipeg. Rick going through the exhibition grounds. Looking at the gambling tables, the fun house mirrors, the freak tent…
The day before the shoot I had gone to scout the ex. I had made a list of all of the shots I wanted.
The night of the actual shoot I thought of the title on our way there, ‘Fat Chance’. I thought hmmm, that could work.
We arrived. Noise lights people confusion. We took the first shot. I took my list of carefully thought out shots and put it in the garbage. And that was just the first night.
We shot for almost two years. Edited for almost three. I thought I would die.
By the end of it in 1994 Rick and I weren’t talking. As it turns out this is a typical ending to a documentary. But the film ended up being sold around the world to virtually every television territory. It was one of the first feature length documentaries to be screened in first run Canadian theatres.
There are many scenes in this film I cringe when I see. And honestly I can’t watch the film anymore anyway. But Rick Zakowich and Moe Lerner are both sensational. They both were as honest as they could have been. Two great guys. Rick lives in Detroit. Moe is dead.
It has since become a popular thing to make a film or television show about being fat and losing weight. An Australian director and production company made a film which is a direct rip off of my film. They even called it ‘Fat Chance’. Unfortunately in the “BUSINESS” of arts there is a lot of blatant theft.
The National Film Board has recently cleaned up the negative transfer of FAT CHANCE and made this film available online. It really looks great. They did a fine job. Thanks to the folks at the NFB that did this!
And many many continuing thanks to Amanda McConnell who worked as my writing consultant on this film. Amanda offered me tremendous support through the making of the film.
When it comes to making films - Support for the filmmaker is often sorrowfully lacking.
We all lost more hair than fat on this show.